sepia
12-09-2004, 09:33 AM
The New York Times>Arts
Frank Rich
Published: December 12, 2004
When they start pushing the panic button over "moral values" at the bluest of TV channels, public broadcasting's WNET, in the bluest of cities, New York, you know this country has entered a new cultural twilight zone.
Just three weeks after the election, Channel 13 killed a spot for the acclaimed movie "Kinsey," in which Liam Neeson stars as the pioneering Indiana University sex researcher who first let Americans know that nonmarital sex is a national pastime, that women have orgasms too and that masturbation and homosexuality do not lead to insanity. At first WNET said it had killed the spot because it was "too commercial and too provocative" - a tough case to make about a routine pseudo-ad interchangeable with all the other pseudo-ads that run on "commercial-free" PBS. That explanation quickly became inoperative anyway. The "Kinsey" distributor, Fox Searchlight, let the press see an e-mail from a National Public Broadcasting media manager stating that the real problem was "the content of this movie" and "controversial press re: groups speaking out against the movie/subject matter" that might bring "viewer complaints."
Maybe in the end Channel 13 got too many complaints about its own cowardice because by last week, in response to my inquiries, it had a new story: that e-mail was all a big mistake - an "unfortunate" miscommunication hatched by some poor unnamed flunky in marketing. This would be funny if it were not so serious - and if it were an anomaly. Yet even as the "Kinsey" spot was barred in New York, a public radio station in North Carolina, WUNC-FM, told an international women's rights organization based in Chapel Hill that it could not use the phrase "reproductive rights" in an on-air announcement. In Los Angeles, five commercial TV channels, fearing indecency penalties, refused to broadcast a public service spot created by Los Angeles county's own public health agency to counteract a rising tide of syphilis. Nationwide, the big three TV networks all banned an ad in which the United Church of Christ heralded the openness of its 6,000 congregations to gay couples.
Such rapid-fire postelection events are conspiring to make "Kinsey" a bellwether cultural event of this year. When I first saw the movie last spring prior to its release, it struck me as an intelligent account of a half-forgotten and somewhat quaint chapter in American social history. It was in the distant year of 1948 that Alfred Kinsey, a Harvard-trained zoologist, published "Sexual Behavior in the Human Male," a dense, clinical 804-page accounting of the findings of his obsessive mission to record the sexual histories of as many Americans as time and willing volunteers (speaking in confidentiality) would allow. The book stormed the culture with such force that Kinsey was featured in almost every major national magazine; a Time cover story likened his book's success to "Gone With the Wind." Even pop music paid homage, with the rubber-faced comic Martha Raye selling a half-million copies of "Ooh, Dr. Kinsey!" and Cole Porter immortalizing the Kinsey report's sizzling impact in a classic stanza in "Too Darn Hot."
Though a Gallup poll at the time found that three-quarters of the public approved of Kinsey's work, not everyone welcomed the idea that candor might supplant ignorance and shame in the national conversation about sex. Billy Graham, predictably, said the publication of Kinsey's research would do untold damage to "the already deteriorating morals of America." Somewhat less predictably, as David Halberstam writes in "The Fifties," The New York Times at first refused to accept advertising for Kinsey's book.
Such history, which seemed ancient only months ago, has gained in urgency since Election Day. As politicians and the media alike pander to that supposed 22 percent of "moral values" voters, we're back where we came in. Bill Condon, who wrote and directed "Kinsey," started working on this project in 1999 and didn't gear it to any political climate. The film is a straightforward telling of its subject's story, his thorniness and bisexuality included, conforming in broad outline to the facts as laid out by Kinsey's most recent biographers. But not unlike Philip Roth's "Plot Against America," which transports us back to an American era overlapping that of "Kinsey," this movie, however unintentionally, taps into anxieties that feel entirely contemporary. That Channel 13 would even fleetingly balk at "Kinsey" as The Times long ago did at the actual Kinsey is not a coincidence.
Read More (http://www.nytimes.com/2004/12/12/arts/12rich.html?8hpib)
Kinsey Review (http://movies.yahoo.com/shop?d=hv&cf=info&id=1808468330)
Frank Rich
Published: December 12, 2004
When they start pushing the panic button over "moral values" at the bluest of TV channels, public broadcasting's WNET, in the bluest of cities, New York, you know this country has entered a new cultural twilight zone.
Just three weeks after the election, Channel 13 killed a spot for the acclaimed movie "Kinsey," in which Liam Neeson stars as the pioneering Indiana University sex researcher who first let Americans know that nonmarital sex is a national pastime, that women have orgasms too and that masturbation and homosexuality do not lead to insanity. At first WNET said it had killed the spot because it was "too commercial and too provocative" - a tough case to make about a routine pseudo-ad interchangeable with all the other pseudo-ads that run on "commercial-free" PBS. That explanation quickly became inoperative anyway. The "Kinsey" distributor, Fox Searchlight, let the press see an e-mail from a National Public Broadcasting media manager stating that the real problem was "the content of this movie" and "controversial press re: groups speaking out against the movie/subject matter" that might bring "viewer complaints."
Maybe in the end Channel 13 got too many complaints about its own cowardice because by last week, in response to my inquiries, it had a new story: that e-mail was all a big mistake - an "unfortunate" miscommunication hatched by some poor unnamed flunky in marketing. This would be funny if it were not so serious - and if it were an anomaly. Yet even as the "Kinsey" spot was barred in New York, a public radio station in North Carolina, WUNC-FM, told an international women's rights organization based in Chapel Hill that it could not use the phrase "reproductive rights" in an on-air announcement. In Los Angeles, five commercial TV channels, fearing indecency penalties, refused to broadcast a public service spot created by Los Angeles county's own public health agency to counteract a rising tide of syphilis. Nationwide, the big three TV networks all banned an ad in which the United Church of Christ heralded the openness of its 6,000 congregations to gay couples.
Such rapid-fire postelection events are conspiring to make "Kinsey" a bellwether cultural event of this year. When I first saw the movie last spring prior to its release, it struck me as an intelligent account of a half-forgotten and somewhat quaint chapter in American social history. It was in the distant year of 1948 that Alfred Kinsey, a Harvard-trained zoologist, published "Sexual Behavior in the Human Male," a dense, clinical 804-page accounting of the findings of his obsessive mission to record the sexual histories of as many Americans as time and willing volunteers (speaking in confidentiality) would allow. The book stormed the culture with such force that Kinsey was featured in almost every major national magazine; a Time cover story likened his book's success to "Gone With the Wind." Even pop music paid homage, with the rubber-faced comic Martha Raye selling a half-million copies of "Ooh, Dr. Kinsey!" and Cole Porter immortalizing the Kinsey report's sizzling impact in a classic stanza in "Too Darn Hot."
Though a Gallup poll at the time found that three-quarters of the public approved of Kinsey's work, not everyone welcomed the idea that candor might supplant ignorance and shame in the national conversation about sex. Billy Graham, predictably, said the publication of Kinsey's research would do untold damage to "the already deteriorating morals of America." Somewhat less predictably, as David Halberstam writes in "The Fifties," The New York Times at first refused to accept advertising for Kinsey's book.
Such history, which seemed ancient only months ago, has gained in urgency since Election Day. As politicians and the media alike pander to that supposed 22 percent of "moral values" voters, we're back where we came in. Bill Condon, who wrote and directed "Kinsey," started working on this project in 1999 and didn't gear it to any political climate. The film is a straightforward telling of its subject's story, his thorniness and bisexuality included, conforming in broad outline to the facts as laid out by Kinsey's most recent biographers. But not unlike Philip Roth's "Plot Against America," which transports us back to an American era overlapping that of "Kinsey," this movie, however unintentionally, taps into anxieties that feel entirely contemporary. That Channel 13 would even fleetingly balk at "Kinsey" as The Times long ago did at the actual Kinsey is not a coincidence.
Read More (http://www.nytimes.com/2004/12/12/arts/12rich.html?8hpib)
Kinsey Review (http://movies.yahoo.com/shop?d=hv&cf=info&id=1808468330)